~ No. 03 ~

In the circle of white stones.

Italian expedition of Tibet, showing traditional masks worn during ceremonial dances, 1948.

Italian expedition of Tibet, showing traditional masks worn during ceremonial dances, 1948.

Nomadic tibetan women and child.
Nomadic tibetan women and child.
Jokhang Temple, 1980's.
Jokhang Temple, 1980’s.
Indigenous Lepcha man with his bow and arrow.
Indigenous Lepcha man with his bow and arrow.
A nomadic Tibetan woman in the People's Republic of China.

A nomadic Tibetan woman in the People's Republic of China.

Tibetan flag bearer.

Tibetan flag bearer.

Khampa warrior on the Ladakh expedition, 1950's.
Khampa warrior on the Ladakh expedition, 1950’s.
The saltmen of Tibet, 1998.
The saltmen of Tibet, 1998.
Rabindranath Tagore letter with painting.
Rabindranath Tagore letter with painting.
Tibetan nomad with rifle, 1960's.
Tibetan nomad with rifle, 1960’s.
Tibetan Plateau.

Tibetan Plateau.

Older pilgrim, Lhasa.
Older pilgrim, Lhasa.
Grandfather and grandaughter wandering the Plateau.
Grandfather and grandaughter wandering the Plateau.
Older woman wearing yak fur coat entering temporary home.
Older woman wearing yak fur coat entering temporary home.
Small village on the slope of a Hill.

Small village on the slope of a Hill.

Newar man with khukri knife stuck into his belt, 1957.

Newar man with khukri knife stuck into his belt, 1957.

Ala Changso, 2018.

Ala Changso, 2018.

Seven days in Tibet, 1996.
Seven days in Tibet, 1996.
Grandmother and grandchild in the Plateau.
Grandmother and grandchild in the Plateau.
Tourists in the Tiebtan Plateau.

Tourists in the Tiebtan Plateau.

~ No. 02 ~

Paint me with Saffron.

Where the Mind is without Fear Excerpt, Tagore.
Where the Mind is without Fear Excerpt, Tagore.
Painted over Royal photographs, 1890s.
Painted over Royal photographs, 1890s.
The Maharajah and Viceory Lord Rippon, Putiala 1884.
The Maharajah and Viceory Lord Rippon, Putiala 1884.
Studio portrait of three Parsees and a Parbhu, Bombay, Chintamon, 1867.
Studio portrait of three Parsees and a Parbhu, Bombay, Chintamon, 1867.
Block printed fragment, European, c. unknown.
Block printed fragment, European, c. unknown.
Travelling musicians by Narayan Dajee, c. 1860.
Travelling musicians by Narayan Dajee, c. 1860.
Rice vendors, early 20th c.
Rice vendors, early 20th c.
Portrait of Maharaja Shiwaji Rao Holkar of Indore, Bombay, c. 1860s.
Portrait of Maharaja Shiwaji Rao Holkar of Indore, Bombay, c. 1860s.
Rabindranath Tagore letter with painting.
Rabindranath Tagore letter with painting.
Fabric fragment, c. Unknown.

Fabric fragment, c. Unknown.

Freedom Excerpt, Tagore.
Freedom Excerpt, Tagore.
Bal Gangadhar Tilak, Indian Freedom Fighter.
Bal Gangadhar Tilak, Indian Freedom Fighter.
Bird Seller, Dehli, Unknown.
Bird Seller, Dehli, Unknown.
Brahmins in Delhi by Shepherd & Robertson, c. 1863.
Brahmins in Delhi by Shepherd & Robertson, c. 1863.
Antique Silk embroidered Sash, Mughal.
Antique Silk embroidered Sash, Mughal.
Chintz Palampore sample from Masulipatam by John Forbes, 1866.
Chintz Palampore sample from Masulipatam by John Forbes, 1866.
Free Love Excerpt, Tagore.
Free Love Excerpt, Tagore.
Studio portraits of Indian merchants, 1867.
Studio portraits of Indian merchants, 1867.
Indian Chintz, 1800's.
Indian Chintz, 1800’s.
Jag Mandir Palace, Udaipur, 1873.
Jag Mandir Palace, Udaipur, 1873.
Letter with Illustration by Rabindranath Tagore.
Letter with Illustration by Rabindranath Tagore.
Maharaja Jaswant Singh II of Jodhpur with his Paswan Naini Jaan and a female attendant, late 19th c.
Maharaja Jaswant Singh II of Jodhpur with his Paswan Naini Jaan and a female attendant, late 19th c.
Gittanjali Excerpt, Tagore.
Gittanjali Excerpt, Tagore.
Mahboob Ali Khan and Raja Deen Dayal & Sons Studios, Bombay, c. 1860s.
Mahboob Ali Khan and Raja Deen Dayal & Sons Studios, Bombay, c. 1860s.
Nautch Dancer and Musicians, Simla, 1879.
Nautch Dancer and Musicians, Simla, 1879.
Man selling various products in his shop, Dehli, c. 1862.
Man selling various products in his shop, Dehli, c. 1862.

~ No. 01 ~

& Dust.

Nazare farmer by Artur Pastor 1954.
Nazare farmer by Artur Pastor 1954.
Kizukuri by Ichiro Kojima, 1963.

Kizukuri by Ichiro Kojima, 1963.

Yoruba Indigo market traders, Nigeria c.1960s.
Yoruba Indigo market traders, Nigeria c.1960s.
Waxed Antique Ukranian Hemp, 1910's.

Waxed Antique Ukranian Hemp, 1910's.

Korean traveller, 1957.
Korean traveller, 1957.
Russian Jack, unknown.
Russian Jack, unknown.
Gloucester Fisherman, 1906.
Gloucester Fisherman, 1906.
Kalderi Gypsies, 1940's.

Kalderi Gypsies, 1940's.

Migrant worker on California Highway by Dorothea Lange, 1935.
Migrant worker on California Highway by Dorothea Lange, 1935.
Hiker on the Summit of the Aiguille-de-Bionnassay, unknown.
Hiker on the Summit of the Aiguille-de-Bionnassay, unknown.
A call on Korea by Han Youngsoo, 1933.

A call on Korea by Han Youngsoo, 1933.

Chinese Indigo cotton, Early 20th c.

Chinese Indigo cotton, Early 20th c.

Decorator by Irving Penn, Small Trades.
Decorator by Irving Penn, Small Trades.
Courtyard at Bayt Muhammad Ali-Abud, Yemen, 1983.
Courtyard at Bayt Muhammad Ali-Abud, Yemen, 1983.
Irrigation treadmill in Japan by Elstner Hilton, 1914.

Irrigation treadmill in Japan by Elstner Hilton, 1914.

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Archive

HAAT-ery. is a project examining archival headwear, a physical research derived from texts, images and findings. All fabrics employ techniques by hand; whether that be hand-dyeing with natural dyes, hand-waxing, hand-stitching, or reusing antique textiles collected with consideration. Fabrics have been made specifically for us within India and neighbouring regions, as ethically and sustainable as possible.

All hats are made in London with a small team of milliners. Every detail, from the lining to the threads is the result of ongoing research and learning. The imperfections of hand-crafted and aged fabrics accumulate with wear, allowing each piece to be individual.